[9] He began drawing classes at the age of seven at a private school at Carrer del Regomir 13, a medieval mansion. [28][29], Until the outbreak of the Spanish Civil War, Miró habitually returned to Spain in the summers. [56], Miró has been a significant influence on late 20th-century art, in particular the American abstract expressionist artists such as Motherwell, Calder, Gorky, Pollock, Matta and Rothko, while his lyrical abstractions[57] and color field paintings were precursors of that style by artists such as Helen Frankenthaler, Olitski and Louis and others. The critic continued, "I was instantly attracted to these four prints, to an emotional lushness, that's in contrast with the cool surfaces of so much of Miró's work. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Soon after Miró also began his Spanish Dancer series of works. If for any reason you are dissatisfied with your painting please contact us within 7 days of receipt, advising the reason you are unhappy and we will provide you with all the information you need for its return or replacement. [44] These were known as "Livres d' Artiste." Some of Miro’s most famous paintings are the Blue Series, 1, 2, and 3. In Paris, under the influence of poets and writers, he developed his unique style: organic forms and flattened picture planes drawn with a sharp line. In The Tilled Field, Catalan Landscape (The Hunter) and Pastoral (1923–24), these flat shapes and lines (mostly black or strongly coloured) suggest the subjects, sometimes quite cryptically. Gouache, watercolour and pencil on paper; 63.5 x 48.9 cm. Throughout the 1960s, Miró was a featured artist in many salon shows assembled by the Maeght Foundation that also included works by Marc Chagall, Giacometti, Brach, Cesar, Ubac, and Tal-Coat. Exhibitions entitled Joan Miró: Instinct & Imagination and "Miró: The Experience of Seeing" were held at the Denver Art Museum from 22 March – 28 June 2015 and at the McNay Art Museum from 30 September 2015 – 10 January 2016 (respectively), showing works made by Miró between 1963 and 1981, on loan from the Museo Nacional Centro de Arte Reina Sofía in Madrid. 100% Guarantee & FREE Global Shipping. Much of Miró's work lost the cluttered chaotic lack of focus that had defined his work thus far, and he experimented with collage and the process of painting within his work so as to reject the framing that traditional painting provided. Joan Miró i Ferrà was a Spanish painter, sculptor, and ceramicist born in Barcelona. Tr. In 1981, Miró's The Sun, the Moon and One Star—later renamed Miró's Chicago—was unveiled. Miró started drawing classes at the age of seven, but later yielding to his parents’ insistence to receive a decent profession took business classes and became a book-keeper. In 1931, Pierre Matisse opened an art gallery in New York City. [47], The spectacle of the sky overwhelms me. That is the reason why his work is so universal and accessible to all viewers: we do not have to interpret it from a strictly formal perspective, in terms of a movement or a generation. In Nord-Sud, the literary newspaper of that name appears in the still life, a compositional device common in cubist compositions, but also a reference to the literary and avant-garde interests of the painter. His early paintings, including Vegetable Garden With Donkey (1918) and The Farm (1921-22), are earthy depictions of the Catalan landscape, demonstrating a sensitivity toward nature. André Breton described him as "the most Surrealist of us all." Miró made many attempts to promote this work, but his surrealist colleagues found it too realistic and apparently conventional, and so he soon turned to a more explicitly surrealist approach. Museum quality hand-painted Joan Miro replica canvas. Joan Miró Carnival of Harlequin Print – 1924-1925 14–22. Shuzo Takiguchi published the first monograph on Miró in 1940. In the final decades of his life Miró accelerated his work in different media, producing hundreds of ceramics, including the Wall of the Moon and Wall of the Sun at the UNESCO building in Paris. Tr. Miró created over 250 illustrated books. [18] His early art, like that of the similarly influenced Fauves and Cubists, was inspired by Vincent van Gogh and Paul Cézanne. Joan Miró i Ferrà was a Spanish Catalan painter, sculptor, and ceramicist born in Barcelona. Sotheby’s presents works of art by Joan Miró. This was perhaps most prominent in the repeated Head of a Catalan Peasant series of 1924 to 1925. Son œuvre reflète son attrait pour le subconscient, pour l'« esprit enfantin » et pour son pays. [6] The Miró surname indicates possible Jewish roots (in terms of marrano or converso Iberian Jews who converted to Christianity). Their poignancy is even greater, I think, when you read how they came to be. The famous artist Joan Miró lived in Mallorca from 1956 until his death 1983. 5–8. Friends of Fil & Art (FoFil & Art). Miró had created a bronze model of The Sun, the Moon and One Star in 1967. [19], A few years after Miró's 1918 Barcelona solo exhibition,[11] he settled in Paris where he finished a number of paintings that he had begun on his parents' summer home and farm in Mont-roig del Camp. [58] Though a sense of (Catalan) nationalism pervaded his earliest surreal landscapes and Head of a Catalan Peasant, it was not until Spain's Republican government commissioned him to paint the mural The Reaper, for the Spanish Republican Pavilion at the 1937 Paris Exhibition, that Miró's work took on a politically charged meaning.[30]. [41], In 1922, Miró explored abstracted, strongly coloured surrealism in at least one painting. [64], In October 2018, the Grand Palais in Paris opened the largest retrospective devoted to the artist until this date. One such work was published in 1974, at the urging of the widow of the French poet Robert Desnos, titled Les pénalités de l'enfer ou les nouvelles Hébrides ("The Penalties of Hell or The New Hebrides"). Ernest Hemingway, was a massive admirer of Joan Miro’s work. His mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma de Mallorca in 1981. Robin Adele Greeley, Surrealism and the Spanish Civil War. He is quoted as saying "I will break their guitar," referring to Picasso's paintings, with the intent to attack the popularity and appropriation of Picasso's art by politics. Miró's work rarely dipped into non-objectivity, maintaining a symbolic, schematic language. (His sketchbooks of 1905 contain nature studies from Tarragona and Palma de Majorca, both … This is a hand painted oil painting reproduction of a masterpiece, by a talented artist no electronic transfer methods are employed. Joan Miró was born the first son of Michel Miró Adziras and Dolores Ferra on April 20, 1893, in Montroig near Barcelona, Spain. Those plans were put on hold because of the Spanish Civil War and World War II. [5], Born into a family of a goldsmith and a watchmaker, Miró grew up in the Barri Gòtic neighborhood of Barcelona. Provided a precise explanation of the old abattoir 100 % money back guarantee replacement. I Ferrà was a Spanish Catalan painter, sculptor, and ceramicist born in Barcelona, `` ''... 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